D'Elia starred in Bekah Brunsetter's popular "I Used to Write on Walls!" - "Tina D'Elia nicely differentiates two sexually frustrated moms." -- Robert Hurwitt, The San Francisco Chronicle, January 2010
Groucho: A Day in the DElia Soup
Tina DElias multi-character one-woman play is startling riveting, engaging, fabulous! -- Patrick Letellier, Frontiers Magazine, June 2001
DElia is a tour-de-force on stage, turning on a dime from one character to the next, bantering back and forth between them, and as Tina, trying to suppress the irrepressible Groucho. She is a natural comedian, with the zany facial expressions and perfect timing of, say, Lucille Ball make that Lucy and Ricky rolled into one, with energy to spare. Groucho: A Day in the DElia Soup wit have you laughing out loud so much that you will miss some lines, and have you wondering how-in-heck DElia does it. -- Patrick Letellier, The Slant, August 2001
DElia is clearly a talented performer. Her solo show starts with a delicious conceit: faced with a Cinco de Mayo that includes dinner with her visiting grandparents from Colombia, a mother begging her not to come to the conservative older folks, an uber butch girlfriend whos supposed to stay closeted for the night, and a pressing meeting with a police official t discuss hate crimes, overstressed Latina Lesbian activist Tina does the only sensible thing: she begins channeling Groucho Marx. Its a wonderfully rich idea that allows DElia t satirize old-school misogyny and racism while simultaneously portraying Tinas own closeted self, her conflicted relationship to her powerful sexuality, and her repressed sense of anarchy. -- Brad Rosenstein, San Francisco Bay Guardian, September 2001
Groucho: the Film
A zany side splitting slapstick comedy through the queer looking glass. -- Zak Szymanski, Assistant Editor, Bay Area Reporter